Gallery 2B: Ukiyo-e Reproductions in Miniature
The collection generally avoids miniaturized reproductions of prints that were not originally designed as such and/or that were published posthumously. However, the collection has also attempted to represent the full history of woodblock prints. This is difficult for ukiyo-e prints from the Edo period since images were infrequently printed in miniature with some exceptions for woodblock erotic prints and prints for specific purposes such as playing cards and senjafuda (votive slips), A new market for miniatures appeared after the opening of Japan to the West. This included woodblock printed prints for postcards, greeting cards, and souvenirs of travel, Many classic ukiyo-e images were reproduced in miniature including complete sets of some artist’s series.
The works in this gallery are primarily from a set of 100 postcard sized prints inserted into the Taisho era book One Hundred Masterpieces of Famous Ukiyoe published by the Takamizawa Colour Print Studio, Tokyo. The set illustrates the progressive development of the woodblock printing technique during the Edo period and reflects the great detail and skill that went into producing these reproductions. Individual prints are worth studying both in regard to the skill involved in simplifying an image for miniaturization and for the intricacy of woodblock carving and printing, which at times included special techniques such as the addition of mica or embossing.
Additional miniature reproductions in the collection are included at the end of this gallery.
Prints from One Hundred Masterpieces of Famous Ukiyoe. Published by Takamizawa Colour Print Studio, Taisho Era.
Titles from the original print are included, when possible. Titles are otherwise those that from the book; these are often simplified descriptions of the content. Although the publisher provided birth and death dates or dates of activity for artists, these often conflict by a few years with those from other reliable sources. The dates represented her are those generally agreed upon by scholars. Dates with question marks represent the dates used by the publisher when no other source is available.
Hanegawa Chinchō (1711-1754?)
A Beauty. 9.0 x 13.4 cm. View an original.
The prints below are post-humous miniaturized reproductions of Ukiyo-e that were either card enclosures, included in sets of souvenir prints, tipped into books or print sample catalogues. or were sold separately as reproductions.
Utagawa Hiroshige (after)(1797-1858)
Modification (lightning added) of Kameyama; Wind, Rain and Thunder from the series Pictures of Famous Places on the Fifty-Three Stations (Vertical Tokaido). Print originally tipped into an accordion book published by Sakai & Co. Between 1945 and 1968. 8.5 x 13.1 cm
Utagawa (Ando) Hiroshige (after). The Shadow. A recently published print by Mokuhankan based on the lower half of a print from the oban sized series Improvised Shadow Performances. Originally published in 1842 by Tsutaya Kichizo. This adaptation reveals the figure producing the shadow when the folded print is opened. Carver: David Bull. Printer: Atsushi Kawai.
The following ukiyo-e reproductions were distributed as a packet published for the Imperial Japanese Government Railway (IJGR). They are attached to Christmas/New Year cards. This set was included in a lot of two other sets for the IJGR, one that illustrated aspects of daily life by an unidentied artist, and another with prints of dolls by Sekino Jun'ichiro. One of the packet envelopes was dated 1947. It is assumed that all three sets were likely purchased that year. The IJGR was reorganized in 1949 and was generally referred to as the Japense Government Railway (JGR) thereafter.