Gallery 3C: Prints by Asano Takeji
Asano Takeji (1900-1999) worked within both the Shin-Hanga and Sōsaku-hanga movements. As a Sosaku hanga artist, he carved and printed some of his landscape prints himself, although these images are in a style more typical of Shin-Hanga artists. It seems unlikely that he would have been as directly involved in the production of the miniatures he designed.
Several larger designs by Asano are found in miniature but with some modification. It is unclear whether these were additional designs by the artist, variations directed by the publisher, modifications created by the carver, or represent “knock-offs” by other artists.
The prints in this section have not been formerly dated but most were likely produced in the 1950s.
The image to the left was printed on very thin paper and attached to a blank greeting card reportedly dating to the 1920s. It represents a miniaturization of one of the earliest known prints by Asano, but is without signature or seal. It may represent an knock-off print but this is unclear. The origianal print was published by Sato Shotaro who went out of business in 1931.
Views of Fuji
Views of Kinki; Famous Places of Kyoto (Woodblock printed postcard set)
The following set of postcards was pieced together from four incomplete sets. Duplicates are included here to show some of the subtle differences in colors and shading reflective of the variable application of pigments during the woodblock printing process. An insert in one of the envelopes for the set listed the titles for eight images. Missing from the collection are images for Daimonjo Buddhist FIre, Byodoin Temple in Spring, and Snow Scene of Kinkaku-ji Temple.
Heien Shrine (Woodblock Printed Postcard Set).
Sights of Tokyo, Noted Places of Nara (Woodblock Printed Postcard Set)
Eight Noted Places of Kyoto
These eight prints are from Asano’s series Eight Noted Places of Kyoto which was published in the 1950s by Unsodo. The four seasons are each represented by two prints. Prints are affixed by their upper corners to presentation cards with all eight prints presented together in a portfolio. The thin paper and affixed corders lends itself to waving of the paper which is apparent in the upper margin of many of these prints.
The images below are of woodblock printed postcards from three sets in a series of famous sites in Kyoto. All but one image also appear above as separate prints in the “half-postcard” size. These were published by Unsodo.
This image has similarities to Asano’s print Bamboo Grove of Saga published by Unsodo in 1952. It may be a miniature version of the print that was designed by the artist or could be a work by another artist based on Asano’s.
An unsealed miniaturization of the Asano print Moonlight in MII Temple.
Miniatures not produced using the woodblock printing process.
These two prints are miniaturizations of larger prints by Asano. However, close examination reveals features that are inconsistent with woodblock prints.
The prints below are reproductions of postcard sized woodblock prints by Asano Takeji that were previously in the collection. These prints were tipped into Christmas cards from a boxed set dating to 1952. Magnification reveals the typical dot matrix seen with offset lithography. Three of the images are reproductions of woodblock prints in the collection above.