Gallery 8: Matchbox Prints

Hasegawa Sadanobu III (1881-1963)

Hasegawa Sadanobu III (1881-1963)

Shoki the Demon Queller. 1920s to 1930s. 3.6 x 5.5 cm

The miniature woodblock prints in this gallery were designed as matchbox labels. The collecting of matchbox labels, like the collection of other ephemera in Japan, became popular shortly after their introduction in the late 1800s. In 1903, the Japanese Association of Matchbox Label Collectors was established. The majority of the labels in this collection are affixed within a collector’s book or came from another large collection, both dating to the 1920s or 1930s. Others derive from smaller sets designed around specific themes (e.g. women, historical events).  These prints represent some of the smallest of Japanese miniatures. The most elaborate of these labels are a testimony to the amazing skill of the carvers and printers who produced them.

Most matchbox prints do not have an identifiable artist. Information will be added as it becomes available. Additional matchbox prints can be seen in Galleries 8A (Theater Matchbox Series) and 8B (Landscape Matchbox Series). Prints are approximately 3.1-3.3 by 5.1-5.2 cms in size unless otherwise indicated.


Benzaiten

Benzaiten

This set of matchbox prints illustrates the seven lucky gods (shichi fukujin).

Ebisu

Ebisu

Jurōjin

Jurōjin

Bishamonten

Bishamonten

Daikokuten

Daikokuten

Hotei

Hotei

Fukurokuju

Fukurokuju

 


 
Bijin-ga Japanese WB Matchbox print envelope .png
 

Hasegawa Sadanobu III (Konobu III) (1881-1963)

Kyoto Beauties: Twelve Maiko. Twelve matchbox prints with envelope. August, 1930.

 
 
 

1934 Summer Greetings

1934 Summer Greetings

1934 Summer Greetings

1934 Summer Greetings

Toyotomi Hideyoshi

Toyotomi Hideyoshi

Tokugawa Ieyasu

Tokugawa Ieyasu

 
 
1933 New Year Greetings

1933 New Year Greetings

New Year Greetings (Undated)

New Year Greetings (Undated)

 
Daikokuten

Daikokuten

 
Hasegawa Yoshiichiro (Giichiro?)Lingering Snow at Shiroi.

Hasegawa Yoshiichiro (Giichiro?)

Lingering Snow at Shiroi.

 
1936 Kōbe Port Festival

1936 Kōbe Port Festival

A Sake Warehouse in Nada

A Sake Warehouse in Nada

 
Hat and Bells for Sanbasō

Hat and Bells for Sanbasō

 

New Year 1939

March: Girls' Day (Tachibina dolls)

March: Girls' Day (Tachibina dolls)

May: Boys' Day (Iris)

May: Boys' Day (Iris)

 
September: Chrysanthemum

September: Chrysanthemum

October or November: Autumn Leaf Viewing

October or November: Autumn Leaf Viewing

December: Year End Market

December: Year End Market

 
 

The prints in this section are singed by the artist Yamakawa Seisen and came from a collection of matchbox prints owned by a family whose ancesters were woodblock carvers and matchbox print collectors. The second image text reads Shukuseikai and Japan Rinka Renmei.

 
 

6.9 x 10.4 cm

6.9 x 10.4 cm

7.7 x 11.8 cm

7.7 x 11.8 cm

 
Lion Dance Mask. 8.5 x 5.3 cm

Lion Dance Mask. 8.5 x 5.3 cm

 

The following set of 24 matchbox prints depict different aspects of the story Chūshingura (The Treasury of Loyal Retainers) which recounts an episode at the begininng of the eighteenth century in which forty seven-ronin (samaria without a lord or master) avenged the death of their master, Asano Naganori. The story has been told in multiple formats including kabuki, bunraku, novels, film, and television. Most of these prints refer to specific scenes for the play although several also depict ronin who play minor parts in the stage production.

 
Act 1: Enya Hangan's wife Refuses to Accept a Love Letter from Moronao

Act 1: Enya Hangan's wife Refuses to Accept a Love Letter from Moronao

Act 3: Enya Hangan Attacking Moronao

Act 3: Enya Hangan Attacking Moronao

Act 4: Enya Hangan about to Commit Seppuku

Act 4: Enya Hangan about to Commit Seppuku

Act 4: Enya Hangan's Retainer's Rushing to Hangan's Castle with Instructions How to Proceed

Act 4: Enya Hangan's Retainer's Rushing to Hangan's Castle with Instructions How to Proceed

Act 4: Okaru Persuades Kanpei Not to Kill Himself

Act 4: Okaru Persuades Kanpei Not to Kill Himself

Act 4: Yuranosuke After Surrendering the Castle

Act 4: Yuranosuke After Surrendering the Castle

Act 5: Sadakurō after Robbing and Killing Yoichibei

Act 5: Sadakurō after Robbing and Killing Yoichibei

Act 7: Kudayū Trying to Spy on Yuranosuke's Letter

Act 7: Kudayū Trying to Spy on Yuranosuke's Letter

Act 7: Heiemon Ready to Kill Okaru

Act 7: Heiemon Ready to Kill Okaru

Act 7: Yuranosuke Acts Drunk and Dissipated as Moronao's Spy Kudayū Looks at Him

Act 7: Yuranosuke Acts Drunk and Dissipated as Moronao's Spy Kudayū Looks at Him

Act 9: Kakogawa Honzō Disguised as a Komusō Outside Yuranosuke's House

Act 9: Kakogawa Honzō Disguised as a Komusō Outside Yuranosuke's House

Ronin Kanzaki Yagorō Traveling to Edo

Ronin Kanzaki Yagorō Traveling to Edo

Ōishi Kuranosuke Presents Blank Paper as a Passport to Tachibana Sakon

Ōishi Kuranosuke Presents Blank Paper as a Passport to Tachibana Sakon

Ronin Akagaki Genzō

Ronin Akagaki Genzō

Ronin Horibe Yasubei' Duel at Takadanobaba

Ronin Horibe Yasubei' Duel at Takadanobaba

Act 10: Testing the Loyalty of Merchant Gihei

Act 10: Testing the Loyalty of Merchant Gihei

Ronin Ōtaka Gengo Tadao

Ronin Ōtaka Gengo Tadao

Act 11: Breaking into Moronao's Palace

Act 11: Breaking into Moronao's Palace

Act 11: Attack on Moronao's Palace

Act 11: Attack on Moronao's Palace

Act 11: Fighting Inside Moronao's Palace

Act 11: Fighting Inside Moronao's Palace

Act 11: Fighting in the Garden of Moronao's Palace

Act 11: Fighting in the Garden of Moronao's Palace

Act 11: Capture of Moronao

Act 11: Capture of Moronao

Postscript: Carrying Moronao's head to their Master's Grave

Postscript: Carrying Moronao's head to their Master's Grave

Postscript: Ronin Present Moronao's Head at Their Master's Grave

Postscript: Ronin Present Moronao's Head at Their Master's Grave


The following set of matchbox prints depict the different ronin and others in the story Chūshingura (The Treasury of Loyal Retainers). As noted above, the story recounts an episode at the beginning of the eighteenth century in which forty-seven ronin (samaria without a lord or master) avenged the death of their master, Asano Naganori. This appears to be an incomplete set, as there are only 44 portraits. Images are approximately 3.6 x 5.4 cm.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

This set of 42 images of Bijin-ga (Beautiful Woman prints) was reportedly printed in the 1920s. The images appear to be adaptations of various elements of works by the artist Kitagawa Utamaro (c. 1753 – 1806). Images (without margins) are approximately 3.3 x 5.1 cm in size.