Gallery 4: Sosaku Hanga
The sōsaku-hanga (creative prints) movement originated in near parallel to the beginning of the shin-hanga (new prints) movement. Whereas shin-hanga attempted to revitalize the former print tradition of print production in which publisher, artist, carver, and printer each contributed, sosaku-hanga artists engaged in all aspects of print production including designing, carving, and printing. These works also departed from the restrained painterly realism of shin hanga landscapes, beauties, kabuki actors, and birds and flowers, instead demonstrating more freedom in carving, often with impressionistic and more abstract results.
The artists in this and associated galleries represent some of the contributors to the sosoku-hanga movement. At times, these artists also worked with publishers to produce shin-hanga prints and/or designed and carved blocks but then worked with printers to attain the final result. Additional sosaku-hanga prints can be found in the ex-libris (gallery 12), and postcard (9, 9A, 9B, and 9D) galleries. Artists may also be represented in the shin-hanga (gallery 3) and modern and contemporary prints (gallery 5) galleries of this website depending on the specifics of the artist’s prints including style, production technique, and period when they were printed.
Works by specific sosaku-hanga artists can be found in these sōsaku-hanga subgalleries:
Inagaki Tomoo: Gallery 4A
Azechi Umataro: Gallery 4B
Katsuhira Tokushi: Gallery 4C
Kamei Tobei: Gallery 4D
Maekawa Senpan: Gallery 4E
Sekino Junichirō: Gallery 4F
Hashimoto Okiie: Gallery 4G
Maseo Meada: Gallery 4H
Kawakami Sumio: Gallery 4I
Kitaoka Fumio: Gallery4J
Saitō Kiyoshi: Gallery 4K
Aoyama Masaharu (1893-1969)
Temple Gate and Deer. 8.9 x 14.0 cm
Amano Kunihiro (b. 1929)
Zangetsu 21. No. 15 of 120. Undated. 15.3 x 15.3 cm
Hiratsuka Unichi (1895-1997)
Image depicting the Tanabata (Star Festival) cerebrating the celestial lovers (the weaver and the herd boy) who were able too meet each other only once a year (July 7th) over the Milky Way. From Calendar Prints by Important Sosaku Hanga Artists published by Nihon Hanga Kyokai" (The Japan Print Association). July 1940. 11.0 x 15.8 cm
Hiratsuka Unichi (1895-1997). A set of 12 limited edition prints (Set No. 36 of 500). 1938.
The prints in this section come from the 1962 book, Hirosaki Castle Ruins; Collection of Woodblock Prints, Small Landscapes, part 2, by Kato Takeo. This self-published book is one of several printed under the label of Mosurin Books. The edition was limited to 100 copies.
The following five prints by Kawai Kijiro were salvaged from a portfolio of six prints (one which was missing from the set) that had significant moisture damage and foxing to the portfolio cover as well as the cardboard backing and presentation frames for the individual prints. Fortunately, the images themselves, with the exception of the work Naked Woman, were relatively spared from damage. There appears to be no information available about the artist in English other than that his works date to the 1940s.
Portfolio Title Label
Portfolio Descriptive Enclosure
Kobayashi Torao
From Shinsaku Ryu, Woodblock Print Collection. Volume 41. Shinshu Creative Print Association. 1963. 300 dpi
The twelve prints in this section are from the series Collection of Color Prints with Views of Kyoto, Nara, Osaka, and Kobe by Kotozuka Eiichi (1906-1981). The series was Published by Uchida for Osaka Railway Division of the Japanese National Railways in 1957.
Kumagai Goro (1932-2017)
Red Small Fish. No 28 of 150. Undated.7.0 x 6.0 cm
Prints by Mabuchi Tōru (1920-1994)
The prints below were designed by Mabuchi Tōru (1920-1994) for woodblock printed calendars including the Modern Print Calendar published by Chikuhōdō in Yokohama. Others likely derive from the annual calendar printed by S. Watanabe but require confirmation.
These two prints by Mobuchi may represent calendar prints or prints that were separately published.
Mita Yutaka
From Shinsaku Ryu, Woodblock Print Collection. Volume 41. Shinshu Creative Print Association. 1963. 8.8 x 13.3 cm
Moritoharu (Morikagehora Morizo) (1909-1985)
Clouds around Norikura. Undated. 12.6 x 7.2 cm
Moritoharu (Morikagehora Morizo) (1909-1985)
Moriharu, Mt. Norikura. Undated. 14.1 x 9.1 cm
Namba Hirato (b. 1941)
From Shinsaku Ryu. Woodblock Print Collection Volume 41. Shinshu Creative Print Association. 1963. 14.6 x 6.8 cm
Sasajima Kihei (1906-1993)
Suspended Bridge. From Collection of Prints by Sasajima Kihei. No. 6 of 300. Published by Ikkensha Print Institute. 1955. 15.0 x 12.1 cm
Sasajima Kihei (1906-1993) prints from a 1951 Calendar
Takagi Shiro (1934-1998)
Yamagata Zaō Onsen Ski Resort. Undated. 15.7 x 13.8
Takeo Takei (1894-1983).
Clear Weather in May. Atached to a blank card. Undated. 10.9 x 12.0 cm
These five prints were created by Unno Mitsuhiro (1939-1979). Although they were acquired as a small set of loose prints, accompanying information suggests that they were originally intended to be affized into a miniature book about Utsu Valley. Published by Ogasawara Jun, Fujieda City. 1966
Yoshida Tōshi (1911-1995)
Shiba. Undated. 9.9 x 14.9 cm